It should generally work fine, but it may be a good idea to keep the previous version around when updating. It is offered without any kind of warrenty, so use it at your own risk. There may be bugs and new versions may change things around. Just don’t modify it (other than the translation json files) or claim you made it. You can use VSeeFace to stream or do pretty much anything you like, including non-commercial and commercial uses. The reason it is currently only released in this way, is to make sure that everybody who tries it out has an easy channel to give me feedback. Some tutorial videos can be found in this section. The latest release notes can be found here. ![]() Starting with 1.13.26, VSeeFace will also check for updates and display a green message in the upper left corner when a new version is available, so please make sure to update if you are still on an older version. Feel free to also use this hashtag for anything VSeeFace related. I post news about new versions and the development process on Twitter with the #VSeeFace hashtag. This website, the #vseeface-updates channel on Deat’s discord and the release archive are the only official download locations for VSeeFace. Old versions can be found in the release archive here. If necessary, V4 compatiblity can be enabled from VSeeFace’s advanced settings. If you use a Leap Motion, update your Leap Motion software to V5.2 or newer! Just make sure to uninstall any older versions of the Leap Motion software first. If VSeeFace does not start for you, this may be caused by the NVIDIA driver version 526. To update VSeeFace, just delete the old folder or overwrite it when unpacking the new version. For those, please check out VTube Studio or PrprLive. Please note that Live2D models are not supported. If that doesn’t help, feel free to contact me, Emiliana_vt! If you have any questions or suggestions, please first check the FAQ. Running four face tracking programs (OpenSeeFaceDemo, Luppet, Wakaru, Hitogata) at once with the same camera input. ![]() In this comparison, VSeeFace is still listed under its former name OpenSeeFaceDemo. You can see a comparison of the face tracking performance compared to other popular vtuber applications here. For the optional hand tracking, a Leap Motion device is required. Capturing with native transparency is supported through OBS’s game capture, Spout2 and a virtual camera.įace tracking, including eye gaze, blink, eyebrow and mouth tracking, is done through a regular webcam. VSeeFace can send, receive and combine tracking data using the VMC protocol, which also allows support for tracking through Virtual Motion Capture, Tracking World, Waidayo and more. Perfect sync is supported through iFacialMocap/ FaceMotion3D/ VTube Studio/ MeowFace. VSeeFace runs on Windows 8 and above (64 bit only). VSeeFace offers functionality similar to Luppet, 3tene, Wakaru and similar programs. ![]() VSeeFace is a free, highly configurable face and hand tracking VRM and VSFAvatar avatar puppeteering program for virtual youtubers with a focus on robust tracking and high image quality.
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![]() ![]() I thought this was a mildly entertaining bit of drama that thankfully didn’t overstay its welcome (even 12 episodes would have been too long, I think). The Other One is being released by Well Go USA and screened at Fantasia Fest 2022.A good review describes my reaction to its various parts fairly well. While it’s a tad too long, especially for a fairly minimal story, the action is unyielding and pays off entirely – even if it’s a little overstuffed. The Other One is a film that is extremely exciting for the action alone. That said, the film’s last act carries more weight when you have seen the first film. That said, there is enough exposition and new elements added that coming into The Witch 2 without seeing the first film isn’t a bad idea. This ends up being both a good thing and a bad thing.įor existing fans of the first film, there is a hollowness to how the story, meaning, and science fiction elements develop. But that also means that the lore of the world pales in comparison to such an expansive action-focused cast. With so much action shoved into the film, not a single moment feels repeated and each fight sequence feels more innovative than the last. That said though, The Witch 2 is a sequel that never feels superfluous. With heightened strength and speed, Jo-hyeon is a force on screen and manages to carry herself with an authority that matches the share physical space her well-over 6’3″ English-speaking partner. She’s unyielding, angry, and capable of singlehandedly decimating an entire facility on her own. The center of the bulk of these fights is Jo-hyeon (Seo Eun-soo) the head officer of the agency tasked by the leaders of the Witch Program to capture the girl. There is no subtlety or nuance, just larger and larger sequences that don’t stop building on each other. ![]() Instead, they pop up like gems of brutality.įrom pulling doors off cars to knife fights that don’t miss and giant storms of rocks that rip bodies apart, there is nothing small about the action-packed into The Witch 2. In fact, unlike the first film, much of the violence in the film doesn’t always push the narrative forward. In a lot of ways, the film is best explained as a violent superpowered fight fest with some story thrown in. Cloning, assassination, lots of blood, The Witch 2 is centered around the girl that brings multiple agencies with different motives together in a final act. It sets the stage by bringing the story of the Witch Program back “many years” and introducing a new girl with a past that is shrouded in secrecy by deeply connected to Ja-Yoon ( Kim Da-Mi). The first act of the film ramps up slowly. Sure there are elements of ethics that were involved in the first film, but the bulk of The Witch 2 is centered on ramping up the spectacle and pushing the gas pedal on making action set pieces grander than they were in the first season. With over two hours of story, uses every minute to build up atmosphere and characters that pays off in stellar displays of violence. While this sequel doesn’t reach the level of its predecessor it is still a thrilling watch. However, as the assassins tasked with locating and silencing the girl move ever closer, the lives of everyone balance on a razor’s edge. After a mysterious girl emerges as the sole survivor of a bloody raid on the research facility called the Ark behind the top-secret Witch Program, she is rescued by a pair of civilians, Siblings Kyung-hee (Park Eun-bin) and Dae-gi (Sung Yoo-bin), who soon realize the girl is both very powerful and in very grave danger. In this sequel to the popular Korean sci-fi action thriller The Witch, the story moves away from a confined secret lab and out into the real world. The Other One (The Witch 2) builds out the world that director Park created by increasing the number of superhumans and turning their powers up to 11. ![]() Now, from writer-director Park Hoon-jung, the sequel is here. It was packed with science fiction and action all while questing biomedical ethics and using extreme violence to not only shock, but tell its story. The Witch Part 1: Subversion was one of my favorite films of 2018. |
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