The manuscript raises questions regarding performance practice of the pieces it contains, especially the polyphonic repertory. ![]() The music was intended for use in performance, presumably within the monastery which had a choir of 100 women at one point in the 13th century. He may have composed a couple of the pieces in the manuscript, as well as being scribe, compiler, and corrector, according to his own inscriptions. Johannes Roderici (Juan Rodríguez in modern Spanish) inscribed his name in a number of places in the manuscript. The bulk of material is written in one hand, although as many as 12 people contributed to it, including corrections and later additions. It is written on parchment, with the staves written in red ink with Franconian notation. Many of the pieces are not found in any other manuscripts. Most of the music dates from the late 13th century, with some music from the first half of the 13th century ( Notre Dame repertory), and a few later additions from the first quarter of the 14th century. The manuscript contains 45 monophonic pieces (20 sequences, 5 conductus, 10 Benedicamus tropes) and 141 polyphonic compositions. The convent was a wealthy one which had connections with the royal family of Castile. 1300 which originated in and has remained in the Cistercian convent of Santa María la Real de Las Huelgas in Burgos, in northern Spain. The Codex Las Huelgas is a music manuscript or codex from c. ![]() A page from the manuscript: note red staff and capital
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